Sunday, 16 October 2016

Spectre (Mendes, 2015)

Spectre (Mendes, 2015)

What conventions do the trailer follow?

A majority of trailers for action films tend to have conventions such as explosions and crashes, fights and killing, whereby there are chase scenes with 'goodies and baddies' fighting against each other. However, in this trailer even those these conventions have been used, it is not entirely clear who the protagonist and antagonist are, as at the beginning of the trailer James Bond is shown watching and individual in his house, then firing a shot into the male character's house exploding the entire building. A possible reason as to why there is not a clear division of the antagonist and protagonist may be because 'James Bond' is a brand and the producers would expect that action movie lovers would already know about the film and know James Bond's positions in all sequels. 
Montage editing is used in this trailer to create suspense to make the audience anticipate what might happen next. This is very effective because it makes the audience excited to find out more about the movie, effectively possibly resulting in the audience going to watch this movie.

Who is the target audience?

The primary audience is young males, 16-30 years old but Bond is popular with males and females in the 30-50 range. Many 40-50 year olds grew up with the original bond movies of the 60's and 70's along with shows like Mission Impossible and the Wild Wild West. Nevertheless, the classic secret agent fantasy character appeals to both teenagers and adults.

What is your personal response to the trailers?

SPECTRE is SKYFALL's equal. Some may disagree, but it's one of the better Bond films not just because of Craig, and a great female lead -- but because it combines everything that is good about Bond in the first place without the need of just gadgets to progress what happens in the storyline.




The Hunger Games: Mockingjay - Part 1 ( Lawrence, 2014)

This film trailer has all he important script phrases in the trailer this gives the audience an idea of what will come. there are lots of fast visual images of guns and bullets flying around the screen and people getting shot. This brings a factor of death and destruction into the trailer which Lawrence does very well. President Snow has a message for katniss and then a min later she responds in a captivating way it shows the argument between them both which basically set the plot of the film. The trailer builds up the climax as shown by more and more action being shown quickly so the audience sees one thing and it stays in their mind. then the trailer ends with the music and that gives a huge suspense and makes us want to see it.

Who is the target audience?

The Hunger Games movies are based on a series of young adult novels.typically has an age range from about 12-18yrs -- although apparently more than half the total YA readership is over 18.

What is your personal response to the trailers?

Like watching paint dry. Boring to a mind-numbing degree. How many times can we see Katniss be horrified and/or emotionally distraught? Maybe the filmmakers thought they were adding depth to their characters. Well, they were wrong. Instead we, the audience, sit through one scene after another in which really nothing happens at all. This whole thing could have easily been compressed down to 40 minutes and then we could have had the rest of the book as the rest of the film. This felt very much like they were stretching it out so they could make two movies - which is the new thing to do in Hollywood with these franchises. Not good storytelling.

















Monday, 10 October 2016

suffragette(Gavron, 2015)


Storyline

A drama that tracks the story of the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State. These women were not primarily from the genteel educated classes, they were working women who had seen peaceful protest achieve nothing. Radicalized and turning to violence as the only route to change, they were willing to lose everything in their fight for equality - their jobs, their homes, their children and their lives. Maud was one such foot soldier. The story of her fight for dignity is as gripping and
visceral as any thriller, it is also heart-breaking and inspirational.

The foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.

THE TRAILER:The uprising of the suffragettes is shown in the first  20 seconds of the film this shows it is the main plot of the film if people who haven't hear of the amazing story of the suffragettes now know the story in the first 20 seconds.shows them fighting back.The genre of this film is drama/biography/history. People know this as this is a true story this is shown very well by the types of cloths they were which means they have done their research on the times of the real life suffragettes. 

Monday, 26 September 2016

Case Study:'sixteen' (Brown,2013)



Case Study: 'sixteen' (Brown,2013)5.




Image result for Sixteen (Brown, 2013
Film Poster



Sixteen is an urban thriller about an African former child soldier called Jumah was brought to London by Laura, an aid worker who he now lives with. Jumah is about to turn 16 in two days and wants to leave his violent past behind him. Things seem to have taken a turn for the better with Jumah now; he has a sweet but tentative romance blossoming with a girl at school. But then Jumah witnesses a stabbing and the people involved want to make sure that he says nothing to the police about what he saw that night. Pressure mounts as violence forces it's way back into Jumah's life.









Director:

 Rob Brown

Writer:

 Rob Brown


Stars:

 Roger Jean NsengiyumvaRachael StirlingRosie Day 


Plot Keywords:

 stabbing | school | child soldier | barber shop | revolver | 



Genres:

 Thriller



Certificate:

 15

Parents Guide:

 Add content advisory for parents »




CRITIC REVIEWS FOR SIXTEEN




An excellent showcase for bright, young talent like Nsengiyumva and Rosie Day, who plays the girlfriend painfully trying to understand what makes her brooding beau tick.
March 19, 2015
Radio Times


Writer-director Rob Brown overstuffs the plot with melodramatic incident, but elsewhere shows laudable restraint with dialogue that refrains from filling in every gap, gliding, unfussy camerawork, and a sparse, understated score.
March 19, 2015
Guardian







Sixteen trailer:

Highlights the stabbing of the landlord this is one of the main sections in the film, this section is shown in the synopsis of the film so must be important as it sats off the main plot.
The genre of his film is obviously thriller as there is a stabbing, this pins out a plot also. i could also initial danger and crime in london.
It does show case the main stars of the film as jumah is the main sat of this trailer this shows tat he s a main character. the trailer shows all of the main characters in the film
there are fast visual images of the fire that has started in his house there is also fast visual images of the violence in the film showing how signiifiagnt thy are. for expamle the stabbing.
Some of the conversations are the main plots of h hole feature, for example 'I'm all you've got' showing the conversation between him and his mother. another example the conversation between the landlord and the stabber before he gets stabbed shows the imporantce of the script and the words they say to each other.
shows a variety of camera angles. long sats of the person running way fro starting the fire and the close up of him and his friend talking about the violence of war.
music gets louder and louder nearer the end shows the improvement of life or the build up tp the realise of the film.


























Case Study:'sixteen' (Brown,2013)


Case Study: 'sixteen' (Brown,2013)5.


Sixteen is an urban thriller about an African former child soldier called Jumah was brought to London by Laura, an aid worker who he now lives with. Jumah is about to turn 16 in two days and wants to leave his violent past behind him. Things seem to have taken a turn for the better with Jumah now; he has a sweet but tentative romance blossoming with a girl at school. But then Jumah witnesses a stabbing and the people involved want to make sure that he says nothing to the police about what he saw that night. Pressure mounts as violence forces it's way back into Jumah's life.

Thursday, 15 September 2016

Hello, my name is Calum Doona. This is my blog...